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Archive of the
NYC Theater Community's Response

to the Republican National Convention
New York City

August-September, 2004



The Writers

Meredith Arena

is a photographer who lives and works in Brooklyn. She has taught photography at the high school level and works on occasion with Pratt students. She had a showing of her work in the DUMBO Arts Festival this past Fall.
Go to Meredith's Photographs by Iraqi Citizens, 2004.


Brian Boyles

is co-founder of Running Man Theater Company. His most recent play, The Pet Goat: A Pentagon Fable was staged at WAX, Williamsburg in August, 2004. As 2005 broke, Brian served as a curator for the 11th Annual New Year's Day Spoken Word Extravaganza at the Bowery Poetry Club, directed by Bruce Weber. Go to Brian's review of Svejk.



James Comtois

is the co-artistic director and resident playwright of the Off-Off Broadway theater company, Nosedive Productions. He has written plays, columns and articles about throw pillows. His blog, "Jamespeak," can be found on Nosedive's website.
Go to James'
review of The Fever.



Eileen Connolly

currently teaches Voice and Shakespeare at The School for Film and Television and The New Actors Workshop. She is the founding Artistic Director of Wallis Knot Inc., an arts and academic collective. As a painter, she has had exhibits in New York City and Philadelphia. She was delighted to paint a cow for New York Cow Parade 2000.
Go to Eileen's
reviews of The Freedom Salon, The War Room and Peace Piece.



Alec Duffy

is a playwright/director who, in nasty political times, moonlights as The Gentle Troubadour. Plays include America the Beautiful: Can I get a Sacco & Vanzetti Value Meal, super-sized, with a Diet Coke to go, please? and The Top Ten People of the Millennium Sing Their Favorite Schubert Lieder.
Go to Alec's
review of Live Patriot Acts: Patriots Gone Wiiiiild!



Corrine Fitzpatrick

is new to New York and is learning the city. She is partially-employed, volunteers at the Poetry Project at St. Mark's, is auditing a human rights course and writes poetry/fiction.
Go to Corrine's
review of DEMO: A Demonstration in Words.



Jason Grote

is a playwright whose work has been presented at Soho Rep, The Flea, The American Living Room @ HERE, The Ohio, The Makor, and Chashama, and is widely anthologized, including in the BACK STAGE BOOK OF NEW AMERICAN SHORT PLAYS 2004. He is currently co-chair of the Soho Rep Writer/Director Lab.
Go to Jason's convention-spanning blog.



Zhen Heinemann

is in the pursuit of yet another degree and will soon be looking for a job (to pay back student loans) if she doesn't get into yet another school for yet another degree.
Go to Zhen's coverage of Poems Across the City, Freedom of Expression National Monument, Dark River: Diary of a Nobody, Only We Who Guard the Mystery Shall Be Unhappy, PATRIOT Act: A Public Meditation, and The White Plague.



Donovan King

is Artistic Facilitator for Canada's Optative Theatrical Laboratories.
Go to Donovan's convention wrap, Carnival Meets Kafka: Arbitrary Repression at the RNC.



Aaron Leichter

is a freelance writer and dramaturg in New York City. He has worked with the Red Bull Theater and Manhattan Ensemble Theater, provided freelance dramaturgy for productions around the world, and written for various websites in New York City.
Go to Aaron's reviews of Electra, Antigone, and This Jungle of Cities.



Victoria Linchon

has been involved in downtown New York City theater for nearly 20 years as an actress, writer and theater producer. Her most recent play, Rite of Return, premiered at Theater for the New City in April 2004.
Go to Victoria's
reviews of Guantánamo, The Trial of God, Control Room, About Baghdad and An Evening with John Sayles and Friends.



Cameron Peterson

works as an actor, editor, and teacher in New York City, after receiving a BA in English from Harvard University. An award-winning actor, she has worked with companies such as Untitled Theatre Co. #61 and American Globe Theatre. She was happy to play her small part in the many marches and protests that occurred throughout the RNC.
Go to Cameron's
review of Thalia Follies: Bring It On.



Howard Pflanzer

Howard's plays have been performed at La MaMa ETC, Playwrights Horizons, Symphony Space, Medicine Show and the Kraine Theater (Cocaine Dreams). As a Fulbright Scholar(2003)in India he directed the world premiere of his play, The Terrorist, at the National Center for the Performing Arts (NCPA) in Bombay.
Go to Howard's
review of I'm Gonna Kill the President! A Federal Offense and the account of his street theater troupe's 3 Actions.



Crystal Skillman

is a playwright whose plays include Flow and Ballad of Phineas P. Gage, both commissioned by E.S.T/Sloan. Last summer, 4 Edges was produced by Amphibian Productions, her musical That's Andy workshopped at Northern Stage and Warrior won Best Adaptation at the Prague International Puppetry Festival.
Go to Crystal's
review of Dan Piraro's Bizarro's Politicomedy a Go-Go.



Jessica Slote

is co-founder of Loretta Auditorium Production Company and a freelance writer who covers the soul of the anonymous citizen against the epic backdrop of the city. Her most recent play, The Whore in Exile (featured in the 2004 Samuel French Off-Off Broadway Short Play Festival) is the third part of a trilogy, The Body of Loretta developed and performed in NYC, Berlin, and Napoli. Whore opened at NYC's Theater for the New City in January, 2005.
Go to Jessica's
reviews of My Pet Goat: A Pentagon Fable, Operation Urban Terrain, and The Line.



Brook Stowe

is founder and editor of theater2k, staff writer for The Brooklyn Rail, MLS candidate & adjunct faculty member at CUNY, Queens College and one of the world's biggest Anton Chekhov fans. His paper, "Echoes in the Void: Desire and Longing in a Text-Messaging World" was presented at the Duke-UNC Chekhov Centennial Conference (pdf) last Spring.
Go to Brook's
review of Entrenched in the Oath and his Brooklyn Rail preview of it all.


Archived
January 2005

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